Tuesday, March 29, 2011

The Obstinate Author

In writing just as in any other professional field there is a sense of business etiquette. While the digital revolution has made it easier for authors to find their work in publication I can't help but wonder if that long battle to publication is what instills a sense of writing maturity. Is it the mountains of rejection letters? The months of revisions? The cold editors that shred your work? Or is it the critique partners that help you understand you're not perfect and help you move forward? In the drive for publication writers fight a constant...

Monday, March 21, 2011

Sustaining Curiosity

First words, sentences and chapters. In crafting a narrative there is an extensive amount of emphasis that is placed on the opening of the piece. Perfecting the hook of a narrative is one of the most important components of a piece but when the hook is set what comes next? Whether it's the theme, conflict or the gestalt of the piece that piques the interest of an audience the piece doesn't end after the hook. The creator must continue to evolve their piece but also match the design of the hook. In many instances a vast amount of effort will go...

Sunday, March 13, 2011

Drawing the Spectacle

Conflict, carnivals, spectacles... At the core of any narrative is the conflict whether that is conflict between characters, external factors or even within a solitary character. The conflicts are the attractions for an audience, they're the rides that either draw or turn away participants. Like a carnival, the core attractions will have a cohesive tone to attract the primary audience and convince them to participate. The core attraction in the narrative is often one of primary narrative themes; good versus evil, man versus nature etc. The premise...

Monday, March 7, 2011

Defining the Scope

Much like a painter who uses both broad and elegant brush-strokes to draft their work, a writer chooses subtle and overt elements to craft their narrative. As the narrative is created often the author can unintentionally define the scope of their work. Through overt references, a writer produces long, broad brush-strokes to give frame to the entire piece. Elements such as genre and even antagonists can define the scope of a narrative. The broad brush-strokes can determine the appeal of piece for an audience. Is it the right...
 

PW Creighton: The Surveillance Report Copyright © 2011 -- Template created by PW Creighton -- Powered by Blogger